ISSUES

Call for Special Issue on Colour Theory

We invite submissions for a special issue of the journal on the topic of Colour Theory. Submissions are invited on any topic relating to traditional or contemporary colour theory. We particularly invite papers that explore the history of colour theory, critical reviews or modern applications of colour theory. The guest editor for the special issue is Robert Hirschler. Full papers should be submitted by Friday 19^th August 2022. The papers will be peer reviewed and a final decision will be made on each paper by the end of October 2022. The special issue will be published online in December 2022.

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.

The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).

The submission file is in Microsoft Word document file format. The text is double-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses); and all illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end. References should be denoted by numerals enclosed in square brackets in the text, e.g. [1].

Further details about submission can be found on the journal website at https://www.aic-color.org/journal-submissions

Please email the submission to Robert Hirschler at robert@hirschler.hu with the subject line Special Issue.

Deadline 19^th August 2022.

Stephen Westland & Vien Cheung (Editors)

2^nd December 2021

____________________________________________________________________________________________________

Volume 30 (2022)

PAPERS

• Colour preference among college students in Ghana  Al-hassan Bawa, Mavis Osei
• Bacterial colouring: Using multi-disciplinary methods for eco-friendly textile design  Monica Louise Hartvigsen, Vanessa Emily Rees
• On the relationship between colour search trends, economic indicators and colour forecasting  Peihua Lai, Stephen Westland
• Effects of different combinations of text lightness and background colour on the visual comfort, recognition and preference for packaging labels  Ching Chih Liao, Kuan I Tsai

Volume 29 (2022)

Special Issue: EXTENDED PAPERS - selections from the Proceedings of the 14th AIC Congress

• Influence of wine colour on consumer behaviour  Anica Hunjet, Sandra Križan, Dijana Vuković
• Application of colour feelings prediction formulas to the estimation of two-colour combination feelings of “Kimono”  Ichiro Katayama, Sachiko Noguchi, Rumiko Takata, Kaori Segawa

• A design approach to lighting and colour rendering in indoor sets  Andrea Siniscalco

• Reading medieval colour: The case of blue in The Canterbury Tales  Zoriana Lotut

• The hidden history of woad blue: a path through technology and diffusion of “European indigo” in 18th-century technical literature  Camilla Tartaglia
• Colour, Material and Finish consistency for car design students  Fausto Brevi, Flora Gaetani

Volume 28 (2022)

Special Issue: REPRINT PAPERS - selections from the Proceedings of the 14th AIC Congress

• Colour – cognitive performance interaction in virtual reality (VR): a study of gender differences  Guobin Xia, Philip Henry, Francisco Queiroz, Stephen Westland, Luwen Yu
• Evaluation of emotional images according to differences in post-processing of plastic cosmetics containers  Ji Eun Lee

• The role and significance of color when choosing cars  Lidija Mandić, Maja Strgar Kurečić

• Colour fading in the polyurethane coating depending on the substrate and conditions of natural weathering  Vesna Marija Potocic Matkovic, Ana Sutlovic, Martinia Ira Glogar

• Aesthetic evaluation of facade integrated coloured photovoltaics designs – an international online survey  Changying Xiang, Barbara Szybinska Matusiak
• A study on the color of Miao’s Badai culture in Fenghuang County of China  Qian Huang
• Colour: urban space, architecture, and design  Maria João Durão

• Practice-based research on color planning for educational facilities  Sari Yamamoto

• Application of color in domestic interior design: an analysis of the 1960s, 1970s and 1980s  Rebecka Pires

• Designing voice-aware text in voice media with background color and typography  Qinyue Chen, Yuchun Yan, Hyeon-Jeong Suk

Volume 27 (2021)

PAPERS

• From the Nobel prize for medicine to the future Lighting Design in interiors: when colour matters  Maurizio Rossi
• Effects of coloured lighting in the real world environment and virtual reality  Guobin Xia, Philip Henry, Francisco Queiroz, Stephen Westland
• On the appearance of objects and materials: Qualitative analysis of experimental observations  Davit Gigilashvili, Jean-Baptiste Thomas, Marius Pedersen, Jon Yngve Hardeberg
• Low-cost visible light spectral imaging  Daniel W. Dichter
  

Volume 26 (2021)

Special Issue on AIC Student Paper Awards 2020

EDITORIAL

• JAIC Special Issue on AIC Student Paper Awards 2020  Tien-Rein Lee

PAPERS

• VisNIR pigment mapping and re-rendering of an experimental painting  Federico Grillini, Jean-Baptiste Thomas, Sony George
• Automatic colour segmentation and colour palette identification of complex images  Aiman Raza, Sophie Jost, Marie Dubail, Dominique Dumortier
• Analysing texture features from individual observer simulations  Yuan Tian, Fereshteh Mirjalili, Jean-Baptiste Thomas
• Organic paint(ing)s: from representation to collaboration  Zoriana Lotut
• Influence of micro-structural features on the colour of nanocrystallised powders of hematite and visible-NIR reflectance spectra simulations  Morgane Gerardin, Micolas Holzschuch, Alain Ibanez, Bernard Schmitt, Pauline Martinetto
• An evaluation study on perceived colour measurement method in architecture using tablet devices  Haruno Tsuda, Azusa Takei, Yuki Oe, Kaoruko Kitamura, Nozomu Yoshizawa

Volume 25 (2020)

PAPERS

• Analysis of factors affecting the contrast effect for total appearance  Midori Tanaka, Daisuke Nakayama, Takahiko Horiuchi
• Image categorisation based on the spatiochromatic information  Zhaohui Wang, Vien Cheung, Stephen Westland
• Beige, aqua, fuchsia, etc.: Definitions for some non-basic surface colour names  Paul Centore
• Crowd sourcing word-colour associations  Yun Chen, Boshuo Guo, Dian Li, Stephen Westland, Marjan Vazirian

Volume 24 (2019)

PAPERS

• An educational experience on the exploration and experimentation of colour associations and relationships  Cristina Boeri
• The influence of colour and image on consumer purchase intentions of convenience food  Dan Luo, Luwen Yu, Stephen Westland, Nik Mahon
• Instrumental colour mixing to guide oil paint artists Eric Kirchner
• Colorimetric and spectral reflectance access to some ancient Egyptian pigments  Hussein Hassan Marey Mahmou
  

Volume 23 (2019)

Special Issue on AIC Student Paper Awards 2018

EDITORIAL

• JAIC Special Issue on AIC Student Paper Awards 2018  Nick Harkness

PAPERS

• Creating a chromatic atmosphere: The colour design process of the new Koivusaari neighbourhood in Helsinki  Saara Pyykkö
• Colour applied to TEACCH and Snoezelen rooms and therapies  Joana Saes
• Colour communication challenges: Exploring disciplinary divides  Gyeonghwa Lee, Stephen Westland, Vien Cheung
• Colour and shape design for outdoor billboard based on size in the historical area of Kyoto, Japan  Yi Zhuang, Sari Yamamoto
• Variation in thermal, visual and overall comfort evaluation under coloured glazing at different temperature levels  Giorgia Chinazzo, Jan Wienold, Marilyne Andersen
• Data-driven spectral sky models: A review  Aicha K. Diakite, Martine Knoop

Volume 22 (2018)

Special Issue on Colour Education

EDITORIAL

• Special Issue on Colour Education  Robert Hirschler

PAPERS

• Colour education in Brazilian universities: a focus on design courses in the state of São Paulo  Paula Csillag, Ana Lucia Lupinacci, Robert Hirschler
• Reflections and experiences on the teaching of colour in the architecture and urbanism course in the University of São Paulo  João Carlos de Oliveira Cesar
• How the “Colour in Science and Industry (COSI)” Master Degree meets academic excellence and industrial needs  Juan Luis Nieves, Javier Hernández-Andrés, Markku Hauta-Kasari, Jon Yngve Hardeberg, Alain Tremeau
• Colour: an experiential path between theory and practice  Maurizio Rossi, Alessandro Rizzi, Cristian Bonanomi, Andrea Siniscalco
• Towards establishing an educating and certification system for colour specialty: The experience of Taiwan  Tsuei-Ju Hsieh, Pei-Li Sun, Wen-Yuan Lee, Tien-Rein Lee and Wuan-I Chen

Volume 21 (2018)

NOTICES

• In memoriam Roy Osborne
  

PAPERS

• Spectral resolution in colour rendering assessments and LED lighting  Luke L. A. Price
  
• Colour shift of interior surfaces with advanced glazings Shabnam Arbabm, Barbara Szybinska Matusiak, Christian A. Klöckner
  
• Brexit Blues: an explanation of how the UK legal systems protect colour and how this may be affected by recent legal and political developments Caroline N. McCubbin
  
• Computational design of simulated multi-primary display spectral bands for spectral colour reproduction Chun-Kai, Chang, Yoko Mizokami, Hirohisa Yaguchi

Volume 19 (2017)

Special Issue on Environmental Colour Design

EDITORIAL

• Special Issue on Environmental Colour Design  Lindsay W. MacDonald

PAPERS

• Notes on interdisciplinary perspectives of local colour identity  Johnny Jie Xu
  
• Strategies in colour choice for architectural built environment  Pietro Zennaro
  
• A phenomenological approach to colour surveys in architecture  João Pernão
  
• Sustainable colour design in architecture: materials, technologies and products  Alessandro Premier, Katia Gasparini
  
• Architectural paint research in Lower Silesia  Karolina Bialoblocka
  
• Red on red: a framework for the interaction of colour in the built environment  Esther Hagenlocher, Landry Smith
  
• The Dessau colour observations – seasonal variations in outdoor colour assignment  Bertolt Hering
  
• Colours of designed nature: Growing seeds from a cultural think-thank, artistic readings on colour and nature in Sweden  Henriette Jarild-Koblanck, Monica Moro
  

Volume 18 (2017)

• Effect of gamut expansion of object colours on a simulated six primary display  Chun-Kai Chang, Yoko Mizokami, Hirohisa Yaguchi, Pei-Li Sun, Hung-Shing Chen
  
• Pastels: a colour guide for artists and manufacturers  Paul Centore
  
• Colour preference model for elder and younger groups  Shi-Min Gong, Wen-Yuan Lee
  
• Product-specific colour meanings: A semiotic approach  Seahwa Won, Stephen Westland

Volume 17 (2017)

EDITORIAL

• Special Issue on Colour and Light  Verena M. Schindler
  

PAPERS

• More than colour – dimensions of light and appearance  Paul Green-Armytage
  
• Shifting and unstable: The role of colour and light in affording multiple readings of architecture  Fiona McLachlan
  
• Media-surface design for urban regeneration: the role of colour and light for public space usability  Katia Gasparini
  
• The impact of advanced glazing on colour perception  Shabnam Arbab, Barbara Szybinska Matusiak, Fredrik Aleksander Martinsen and Bjørn Christian Hauback
  
• Identifying preferred surface, colour and lighting characteristics  Markus Reisinger
  
• Sunlight and the monochrome linear relief  Barbara Szybinska Matusiak
  
• Perceived façade colours in different daylight situations: Survey in the Old Town of Warsaw  Anna Sochocka and Karin Fridell Anter
  
• Teaching colour to architecture students  Ralf Weber and Thomas Kanthak
  
• Colour in the interval  Charlotte Beaufort
  
• Colour-light-composition artworks  Gisela Meyer-Hahn
  
• An Artistic Praxis: Phenomenological colour and embodied experience  Doreen Balabanoff
  

Volume 16 (2016)

EDITORIAL

• XI conference of the Italian Colour Group  Alessandro Rizzi

PAPERS

• Intensity histogram equalisation, a colour-to-grey conversion strategy improving photogrammetric reconstruction of urban architectural heritage  Andrea Ballabeni, Marco Gaiani
• A low power colour-based skin detector for smart environments  Michela Lecca, Massimo Gottardi, Bojan Milosevic, Elisabetta Farella
• Lapis lazuli, lazurite, ultramarine 'blue', and the colour term 'azure' up to the 13th century  Guido Frison, Giulia Brun
• Colour local pattern: a texture feature for colour images  Noël Richard, Armando Martínez Ríos, Christine Fernandez-Maloigne
• Cross-linguistic similarity affects L2 cognate representation: blu vs. blue in Italian-English bilinguals  Galina V Paramei, Mauro D'Orsi, Gloria Menegaz
• The colour consultant training for the future: a holistic view of design and technologies  Maurizio Rossi, Alessandro Rizzi, Cristian Bonanomi, Andrea Siniscalco
• Colour measurement procedures on outdoor 3D artworks: a case study  Veronica Marchiafava, Costanza Cucci, Marcello Picollo
• Synaesthesia of colour, taste and mood: the Futuristic cuisine as a global art  Michela Rossi, Giampiero Mele

Volume 15 (2016)

NOTICES

• Obituary: Bernat Klein (1922-2014) Roy Osborne
  
• Obituary: Peter Kalkhof (1933-2014) Roy Osborne
  
• Obituary: Don Pavey (1922-2015) Roy Osborne
  
• Obituary: Arthur Tarrant (1929-2015) Colour Group (Great Britain)

GALLERIES

• Chaos and Roses Kevin Laycock
  
• Chaos and Roses - narratives Jane Speller

PAPERS

• Appearance harmony of materials using real objects and displayed images  Midori Tanaka, Takahiko Horiuchi
  
• Can colour enhance emotional well-being in a primary care non-clinical consulting room? – A mixed-method study  Vanessa Volpe
  
• Uncertain harmonies (or fall) – Colour scales and cadences  Kevin Laycock
  
• A colour survey of artist's pastels  A colour survey of artist's pastels (downloadable data files)  Paul Centore
  

Volume 14 (2015)

PAPERS

• Broken colour in a modern world: chromatic failures in purist art and architecture  Carolyn Kane  Teresa Campos Viana, Caroline Salvan Pagnan, Eliane Ayres
  
• Natural dyes in the design of textile: how to make them more competitive face to synthetic dyes  Teresa Campos Viana, Caroline Salvan Pagnan, Eliane Ayres
  
• A definition of global hue contrast in artworks  Martin Constable, Junyan Wang, Kap Luk Chan, Xiaoyan Zhang
  
• Consistent shadow values for painters  Paul Centore
  
• The relationship between consumer colour preferences and product-colour choices  Stephen Westland, Meong Jin Shin
  
• Detection of transition of red colours on Nishiki-e printings from colour-corrected digital images  Takuzi Suzuki, Misaki Kan'no, Noriko Yata, Yoshitsugu Manabe
  

Volume 13 (2014)

Special Issue of the IX conference of the Italian Colour Group

EDITORIAL

• IX conference of the Italian Colour Group  Alessandro Rizzi, Maurizio Rossi

PAPERS

• An extended image database for colour constancy  Alessandro Rizzi, Cristian Bonanomi, Davide Gadia
• An applied research to assess the experience of the colour of urban lighting: a pilot study in Milano downtown  Daria Casciani, Maurizio Rossi
• ‘Italian blues’: A challenge to the universal inventory of basic colour terms  Galina V Paramei, Mauro D’Orsi, Gloria Menegaz
• Colour measurements for monitoring the conservation of contemporary artworks  Veronica Marchiafava, Giovanni Bartolozzi, Costanza Cucci, Marco De Vita, Marcello Picollo
• Ecology and colour – the emerging design perspective  Francesca Cattaneo, Sabrina Lucibello  
• Intelligent design with chromogenic materials  Marinella Ferrara, Murat Bengisu   
• Turn a colour with emotion: a linguistic construction of colour in English  Jodi L Sandford 
• White can be transparent: why Wittgenstein is wrong  Osvaldo da Pos, Liliana Albertazzi, Valerio Villani  
• The nature and chromogenic plants  Forouzandeh Ghasemi 

Volume 12 (2014)

Special Issue of the 15th Multispectral Colour Science Symposium - MCS2013

EDITORIAL

• 15th Multispectral Colour Science Symposium - MCS2013  Stephen Westland

PAPERS

• Segmentation of natural scenes: Clustering in colour space vs. spectral estimation and clustering of spectral data  Jia Song, Eva M Valero, Juan L Nieves
• Estimation of surface properties for art paintings using a six-band scanner  Shoji Tominaga, Suguru Nakamoto, Keita Hirai, Takahiko Horiuchi
• Quality evaluation in spectral imaging – quality factors and metrics  Raju Shrestha, Ruven Pillay, Sony George, Jon Y Hardeberg
• Colour and spectral simulation of textile samples onto paper: a feasibility study  Radovan Slavuj, Kristina Marijanovic, Jon Y Hardeberg 
• Multispectral imaging: narrow or wide band filters?  Xingbo Wang, Jean-Baptiste Thomas, Jon Y Hardeberg, Pierre Gouton   

Volume 11 (2013)

GALLERIES

• Visual interpretations of the score in painting and digital media Kevin Laycock

PAPERS

• The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion  Sam Vettese Forster, Robert M Christie
• Shadow colours for painters  Paul Centore
• Colour, health and wellbeing: The hidden qualities and properties of natural dyes  Kate Wells

Volume 10 (2013)

Special Issue on Colour and Food

EDITORIAL

• AIC Interim Meeting “Color and Food”  Stephen Westland

PAPERS

• The colours of food: final layer in the Palimpsest of Santa Caterina Market in Barcelona  Juan Serra, Salvador Gilabert, Jorge Llopis, Ana Torres, Ángela Garcia
• Basic and natural colours in a Munker White illusion – an art installation  Jodi L Sandford, Valter Gosti
• Analysis, conclusions and recommendations for colours applied in “5 a day” programme, Chile  Maria de la Paz Cox, Maria Rosa Domper 
• Food package chromatic design: A case study applying model Sens-Org-Int  Paula Csillag 

Reviews

• Book Review - Computational Colour Science using MATLAB (Second Edition)  Michael R Pointer

Volume 9 (2012)

PAPERS

• Periodic colour model  Vojko Pogacar
• Colour accuracy in digitally-printed textiles: what you see is not (always) what you get  Aileen Collis, Jacquie Wilson
• Ancient Egyptian colours as a contemporary fashion  Esmat Abd El-Mageed, Sahar Ahmed Ibra 
• Colour preferences for traditional Korean colours  Meong Jin Shin, Stephen Westland, Edel M Moore, Vien Cheung 

Reviews

• Yves Saint Laurent – dazzling colourist  Kevin Almond

Volume 8 (2012)

Special Issue of the VI conference of the Italian Colour Group

EDITORIAL

• VI conference of the Italian Colour Group  Alessandro Rizzi, Maurizio Rossi

PAPERS

• Colour stability and performance of vegetal dyes on natural fibres  Stefania Acquaviva, Emilia D'Anna, Maria Luisa De Giorgi, Andrea Della Patria, Marco Fantuzzi
• Quality of the light sources and colour constancy  Osvaldo Da Pos, Pietro Fiorentin, Alberto Maistrello, Elena Pedrotti, Alessandro Scroccaro
• Physics, colour and art: a fruitful marriage  Mady Elias
• Use of optical fibre in spectrometry and colorimetry with remote probes  Marco Gargano, Nicola Ludwig, Davide Pandini
• Colorimetry evaluation supporting the design of LED projectors for paintings lighting: a case study  Fulvio Musante, Maurizio Rossi 
• The evolution of colour in design from the 1950s to today  Francesca Valan 
• Notes on colours and pigments in the ancient world  Sergio Omarini 
• The “ID card” of ancient materials: spectral signature, colour and thermal analysis. A tool for the monitoring and conservation of the archaeological heritage  Franco Gugliermetti, Fabio Bisegna, Laura Monti
• Historical and scientific identification of an early XXth century artist pigments’ collection  Simona Rinald, Claudio Falcucci  

Volume 7 (2012)

NOTICES

• Obituary: Robert C Breer (1926-2011)  Roy Osborne
• Obituary: Rockne Krebs (1938-2011)  Roy Osborne
• Obituary: Tom Troscianko (1953-2011)  Tim Meese, David Tolhurst, Peter Thompson, Iain Gilchrist
• Obituary: John Gage (1938-2012)  Roy Osborne

GALLERIES

• Hiraeth: Designing a Welsh Identity  Chris Harris
• Hiraeth: Designing a Welsh Identity – narratives  Chris Harris

PAPERS

• Effect of red vs black clothing on the impression of persons engaged in a dialogue  Shin’ya Takahashi
• Computer aided three-dimensional colour planning and visualisation system for product design  Kuen-Meau Chen, Ming-Jen Wang
• Using soft systems methodology to improve the colour forecasting process  Tracy Diane Cassidy, Tom Cassidy
• Effect of wall colour on the perception of hairdressing salons  Kemal Yildirim, Aysen Capanoglu, Kubulay Cagatay, M Lutfi Hidayetoglu
• Conspicuity of chromatic light from LED spotlights  Markus Reisinger, Ingrid Vogels, Ingrid Heynderickx
• Choices for colour, light and line of women living in continuing care retirement communities in the USA  Melina Lyon, Shiretta Ownbey, Randall Russ

Volume 6 (2012)

PAPERS

• Contemporary art and colour thinking  Judith Mottram, Richard Davey
• Drawing light  Duncan Bullen
• Lost in translation: the nature of pigmented colour  Richard K Webb
• Art and colour: in pursuit of the intangible  John Lancaster
• Lying side by side: fitting colour to eros  Barbara M Stafford
• James Hugonin: variations on the theme of colour, similarity and difference  Richard Davey
• Colour and colourlessness: the chromatic discourse of impressionism  David Sweet
• Computational colour, the visual artist and the printed artefact  Stephen Hoskins

Volume 5 (2010)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

EDITORIAL

• AIC Colour Congress 2009 in Sydney, Australia  Nick Harkness

GALLERIES

• Colours of Aboriginal Australia: Winparrku (My Sacred Mountain)  Walangari Karntawarra
• Colours of Aboriginal Australia: Winparrku (My Sacred Mountain) – narratives  Walangari Karntawarra
• History of Japanese Colour: Traditional Natural Dyeing Methods  Sachio Yoshioka
• History of Japanese Colour: Traditional Natural Dyeing Methods – narratives  Sachio Yoshioka

REVIEWS

• A Brief Classification of Colour Illusions  Akiyoshi Kitaoka

PAPERS

• Preserving the Painted Image: The Art and Science of Conservation  Maria E Kubik
• Chromatic Harmony in Architecture and the Work of Artacho Jurado in São Paulo  João Carlos de Oliveira Cesar
• The Early History of White's Illusion  Michael White
• Why Are Animals Colourful? Sex and Violence, Seeing and Signals  Justin Marshall
• Glazed Tiles as an Improving Element for Environmental Quality in Urban Landscape  Carla Lobo, João Pernão
• A Colour Alphabet and the Limits of Colour Coding  Paul Green-Armytage
• How Colour Rhetoric is Used to Persuade: Chromatic Argumentation in Visual Statements  José Luis Caivano, Mabel Amanda López
• Colour as Pathway of Light: Searching the Shadow in Luis Barragán  Maria João Durão
• Shifting Interpretations of Interiors and Buildings: The Impact of Colour  Dianne Smith, Nur Demirbilek
• Measurement of Design Impact  John B Hutchings, M Ronnier Luo
• Using Cellarium Software as a Creative Tool  Linda Huber, Stefan Gottschalk
• Production and Anodic Colouring of Newly-Designed Titanium Jewels  Maria Vittoria Diamanti, Barbara Del Curto, Valeria Masconale, MariaPia Pedeferri
• Between Glare and Abysmal Dark: Toward a Conversation on Colour Appearance  Juliet Albany

Volume 4 (2009)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

GALLERIES

• Body, Numbers, Light: Colour Phenomena of Eye-Ocean  Anne-Sarah Le Meur

REVIEWS

• Vionnet – Without Bias (Les Arts Decoratifs, Musee de la Mode in Paris, France, 24 June 2009 to 31 January 2010)  Kevin Almond
• Basic Colour: A Practical Handbook  Richard Ashworth

PAPERS

• Effects of Coloured Lighting on Judgement of Emotional Expression  Shin'ya Takahashi
• Tectonics  Kevin Laycock
• Colours: Regulation and Ownership  Paul Green-Armytage
• Visual Impression of the Colour of Football Uniforms: Investigation using Moving and Static Images of Football Games  Masanori Iwase, Yutaka Nishida, Saori Kitaguchi, Tetsuya Sato, Li-Chen Ou, M Ronnier Luo

Volume 3 (2008)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

EDITORIAL

• CREATE: Developing a European Exchange in the Application of Colour  Carinna Parraman, Alessandro Rizzi

GALLERIES

• Colour in Flux: The Art and Science of Colour  Carinna Parraman
• Colour in Flux: The Art and Science of Colour – narratives  Carinna Parraman
• Air Grid: Five Houses  Victoria Watson
• Air Grid: Five Houses – narratives  Victoria Watson

PAPERS

• The Interaction of Art, Technology and Customers in Picture Making  John J McCann
• Image Reproduction: An Oxymoron?  Reiner Eschbach
• Reference-free Image Quality Evaluation for Digital Film Restoration  Majed Chambah
• Colour Normalisation and Spatial Comparison: A Robust Way to Integrate the Light Spectrum  Alessandro Rizzi
• Influence of Background on the Colour Appearance of Images  Alain Tremeau, Rafaël Nicolas, Eric Dinet
• Colour in Textiles: Colour and the Environment Since the 1990s  Maria Luisa Musso
• Tales of Tiles in Ottoman Empire  Simten Gündes, Melis Oktug, Deniz Özd

Volume 2 (2008)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

REVIEWS

• The Golden Age of Couture (Victoria and Albert Museum, London, 22 September 2007 to 6 January 2008)  Kevin Almond
• Daylight Influence on Colour Design: Empirical Study on Perceived Colour and Colour Experience Indoors  Vien Cheung

GALLERIES

• Essential Spirit  William Packer
• Essential Spirit – narratives  William Packer
• Colouring Jouissance  Jenny Tennant Jackson
• Colouring Jouissance – narratives  Jenny Tennant Jackson

PAPERS

• Forming Spaces with Colour and Light: Trends in Architectural Practice and Swedish Colour Research  Karin Fridell Anter
• Colour as Idea: The Conceptual Basis for Using Colour in Architecture and Urban Design  Galen Minah
• Computer Classroom Wall Colour Preference and the Relationship with Personality Type of College Students  Hong Wang, Randall R Russ
• The Influence of Single-colour Preference and Area Ratio on Dichromatic Colour Preference  Kuen-Meau Chen, Ming-Jen Wang