ISSUES

 

Volume 25 (2020) - open issue

PAPERS

• Analysis of factors affecting the contrast effect for total appearance  Midori Tanaka, Daisuke Nakayama, Takahiko Horiuchi
• Image categorisation based on the spatiochromatic information  Zhaohui Wang, Vien Cheung, Stephen Westland

 

Volume 24 (2019)

PAPERS

• An educational experience on the exploration and experimentation of colour associations and relationships  Cristina Boeri
• The influence of colour and image on consumer purchase intentions of convenience food  Dan Luo, Luwen Yu, Stephen Westland, Nik Mahon
• Instrumental colour mixing to guide oil paint artists Eric Kirchner
• Colorimetric and spectral reflectance access to some ancient Egyptian pigments  Hussein Hassan Marey Mahmou 

 

Volume 23 (2019)

Special Issue on AIC Student Paper Awards 2018

EDITORIAL

• JAIC Special Issue on AIC Student Paper Awards 2018  Nick Harkness

PAPERS

• Creating a chromatic atmosphere: The colour design process of the new Koivusaari neighbourhood in Helsinki  Saara Pyykkö
• Colour applied to TEACCH and Snoezelen rooms and therapies  Joana Saes
• Colour communication challenges: Exploring disciplinary divides  Gyeonghwa Lee, Stephen Westland and Vien Cheung
• Colour and shape design for outdoor billboard based on size in the historical area of Kyoto, Japan  Yi Zhuang and Sari Yamamoto
• Variation in thermal, visual and overall comfort evaluation under coloured glazing at different temperature levels  Giorgia Chinazzo, Jan Wienold and Marilyne Andersen
• Data-driven spectral sky models: A review  Aicha K. Diakite and Martine Knoop

Volume 22 (2018)

Special Issue on Colour Education

EDITORIAL

• Special Issue on Colour Education  Robert Hirschler

PAPERS

• Colour education in Brazilian universities: a focus on design courses in the state of São Paulo  Paula Csillag, Ana Lucia Lupinacci, Robert Hirschler
• Reflections and experiences on the teaching of colour in the architecture and urbanism course in the University of São Paulo  João Carlos de Oliveira Cesar
• How the “Colour in Science and Industry (COSI)” Master Degree meets academic excellence and industrial needs  Juan Luis Nieves, Javier Hernández-Andrés, Markku Hauta-Kasari, Jon Yngve Hardeberg, Alain Tremeau
• Colour: an experiential path between theory and practice  Maurizio Rossi, Alessandro Rizzi, Cristian Bonanomi, Andrea Siniscalco
• Towards establishing an educating and certification system for colour specialty: The experience of Taiwan  Tsuei-Ju Hsieh, Pei-Li Sun, Wen-Yuan Lee, Tien-Rein Lee and Wuan-I Chen

Volume 21 (2018)

NOTICES

• In memoriam Roy Osborne
  

PAPERS

• Spectral resolution in colour rendering assessments and LED lighting  Luke L. A. Price
  
• Colour shift of interior surfaces with advanced glazings Shabnam Arbabm, Barbara Szybinska Matusiak, Christian A. Klöckner
  
• Brexit Blues: an explanation of how the UK legal systems protect colour and how this may be affected by recent legal and political developments Caroline N. McCubbin
  
• Computational design of simulated multi-primary display spectral bands for spectral colour reproduction Chun-Kai, Chang, Yoko Mizokami, Hirohisa Yaguchi

Volume 19 (2017)

Special Issue on Environmental Colour Design

EDITORIAL

• Special Issue on Environmental Colour Design  Lindsay W. MacDonald

PAPERS

• Notes on interdisciplinary perspectives of local colour identity  Johnny Jie Xu
  
• Strategies in colour choice for architectural built environment  Pietro Zennaro
  
• A phenomenological approach to colour surveys in architecture  João Pernão
  
• Sustainable colour design in architecture: materials, technologies and products  Alessandro Premier, Katia Gasparini
  
• Architectural paint research in Lower Silesia  Karolina Bialoblocka
  
• Red on red: a framework for the interaction of colour in the built environment  Esther Hagenlocher, Landry Smith
  
• The Dessau colour observations – seasonal variations in outdoor colour assignment  Bertolt Hering
  
• Colours of designed nature: Growing seeds from a cultural think-thank, artistic readings on colour and nature in Sweden  Henriette Jarild-Koblanck, Monica Moro
  

Volume 18 (2017)

PAPERS

• Effect of gamut expansion of object colours on a simulated six primary display  Chun-Kai Chang, Yoko Mizokami, Hirohisa Yaguchi, Pei-Li Sun, Hung-Shing Chen
  
• Pastels: a colour guide for artists and manufacturers  Paul Centore
  
• Colour preference model for elder and younger groups  Shi-Min Gong, Wen-Yuan Lee
  
• Product-specific colour meanings: A semiotic approach  Seahwa Won, Stephen Westland

Volume 17 (2017)

EDITORIAL

• Special Issue on Colour and Light  Verena M. Schindler
  

PAPERS

• More than colour – dimensions of light and appearance  Paul Green-Armytage
  
• Shifting and unstable: The role of colour and light in affording multiple readings of architecture  Fiona McLachlan
  
• Media-surface design for urban regeneration: the role of colour and light for public space usability  Katia Gasparini
  
• The impact of advanced glazing on colour perception  Shabnam Arbab, Barbara Szybinska Matusiak, Fredrik Aleksander Martinsen and Bjørn Christian Hauback
  
• Identifying preferred surface, colour and lighting characteristics  Markus Reisinger
  
• Sunlight and the monochrome linear relief  Barbara Szybinska Matusiak
  
• Perceived façade colours in different daylight situations: Survey in the Old Town of Warsaw  Anna Sochocka and Karin Fridell Anter
  
• Teaching colour to architecture students  Ralf Weber and Thomas Kanthak
  
• Colour in the interval  Charlotte Beaufort
  
• Colour-light-composition artworks  Gisela Meyer-Hahn
  
• An Artistic Praxis: Phenomenological colour and embodied experience  Doreen Balabanoff
  

Volume 16 (2016)

EDITORIAL

• XI conference of the Italian Colour Group  Alessandro Rizzi

PAPERS

• Intensity histogram equalisation, a colour-to-grey conversion strategy improving photogrammetric reconstruction of urban architectural heritage  Andrea Ballabeni, Marco Gaiani
• A low power colour-based skin detector for smart environments  Michela Lecca, Massimo Gottardi, Bojan Milosevic, Elisabetta Farella
• Lapis lazuli, lazurite, ultramarine 'blue', and the colour term 'azure' up to the 13th century  Guido Frison, Giulia Brun
• Colour local pattern: a texture feature for colour images  Noël Richard, Armando Martínez Ríos, Christine Fernandez-Maloigne
• Cross-linguistic similarity affects L2 cognate representation: blu vs. blue in Italian-English bilinguals  Galina V Paramei, Mauro D'Orsi, Gloria Menegaz
• The colour consultant training for the future: a holistic view of design and technologies  Maurizio Rossi, Alessandro Rizzi, Cristian Bonanomi, Andrea Siniscalco
• Colour measurement procedures on outdoor 3D artworks: a case study  Veronica Marchiafava, Costanza Cucci, Marcello Picollo
• Synaesthesia of colour, taste and mood: the Futuristic cuisine as a global art  Michela Rossi, Giampiero Mele

Volume 15 (2016)

NOTICES

• Obituary: Bernat Klein (1922-2014) Roy Osborne
  
• Obituary: Peter Kalkhof (1933-2014) Roy Osborne
  
• Obituary: Don Pavey (1922-2015) Roy Osborne
  
• Obituary: Arthur Tarrant (1929-2015) Colour Group (Great Britain)

GALLERIES

• Chaos and Roses Kevin Laycock
  
• Chaos and Roses - narratives Jane Speller

PAPERS

• Appearance harmony of materials using real objects and displayed images  Midori Tanaka, Takahiko Horiuchi
  
• Can colour enhance emotional well-being in a primary care non-clinical consulting room? – A mixed-method study  Vanessa Volpe
  
• Uncertain harmonies (or fall) – Colour scales and cadences  Kevin Laycock
  
• A colour survey of artist's pastels  A colour survey of artist's pastels (downloadable data files)  Paul Centore
  

Volume 14 (2015)

PAPERS

• Broken colour in a modern world: chromatic failures in purist art and architecture  Carolyn Kane  Teresa Campos Viana, Caroline Salvan Pagnan, Eliane Ayres
  
• Natural dyes in the design of textile: how to make them more competitive face to synthetic dyes  Teresa Campos Viana, Caroline Salvan Pagnan, Eliane Ayres
  
• A definition of global hue contrast in artworks  Martin Constable, Junyan Wang, Kap Luk Chan, Xiaoyan Zhang
  
• Consistent shadow values for painters  Paul Centore
  
• The relationship between consumer colour preferences and product-colour choices  Stephen Westland, Meong Jin Shin
  
• Detection of transition of red colours on Nishiki-e printings from colour-corrected digital images  Takuzi Suzuki, Misaki Kan'no, Noriko Yata, Yoshitsugu Manabe 

Volume 13 (2014)

Special Issue of the IX conference of the Italian Colour Group

EDITORIAL

• IX conference of the Italian Colour Group  Alessandro Rizzi, Maurizio Rossi

PAPERS

• An extended image database for colour constancy  Alessandro Rizzi, Cristian Bonanomi, Davide Gadia
• An applied research to assess the experience of the colour of urban lighting: a pilot study in Milano downtown  Daria Casciani, Maurizio Rossi
• ‘Italian blues’: A challenge to the universal inventory of basic colour terms  Galina V Paramei, Mauro D’Orsi, Gloria Menegaz
• Colour measurements for monitoring the conservation of contemporary artworks  Veronica Marchiafava, Giovanni Bartolozzi, Costanza Cucci, Marco De Vita, Marcello Picollo
• Ecology and colour – the emerging design perspective  Francesca Cattaneo, Sabrina Lucibello  
• Intelligent design with chromogenic materials  Marinella Ferrara, Murat Bengisu   
• Turn a colour with emotion: a linguistic construction of colour in English  Jodi L Sandford 
• White can be transparent: why Wittgenstein is wrong  Osvaldo da Pos, Liliana Albertazzi, Valerio Villani  
• The nature and chromogenic plants  Forouzandeh Ghasemi 

Volume 12 (2014)

Special Issue of the 15th Multispectral Colour Science Symposium - MCS2013

EDITORIAL

• 15th Multispectral Colour Science Symposium - MCS2013  Stephen Westland

PAPERS

• Segmentation of natural scenes: Clustering in colour space vs. spectral estimation and clustering of spectral data  Jia Song, Eva M Valero, Juan L Nieves
• Estimation of surface properties for art paintings using a six-band scanner  Shoji Tominaga, Suguru Nakamoto, Keita Hirai, Takahiko Horiuchi
• Quality evaluation in spectral imaging – quality factors and metrics  Raju Shrestha, Ruven Pillay, Sony George, Jon Y Hardeberg
• Colour and spectral simulation of textile samples onto paper: a feasibility study  Radovan Slavuj, Kristina Marijanovic, Jon Y Hardeberg 
• Multispectral imaging: narrow or wide band filters?  Xingbo Wang, Jean-Baptiste Thomas, Jon Y Hardeberg, Pierre Gouton   

 

Volume 11 (2013)

GALLERIES

• Visual interpretations of the score in painting and digital media Kevin Laycock

PAPERS

• The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion  Sam Vettese Forster, Robert M Christie
• Shadow colours for painters  Paul Centore
• Colour, health and wellbeing: The hidden qualities and properties of natural dyes  Kate Wells

Volume 10 (2013)

Special Issue on Colour and Food

EDITORIAL

• AIC Interim Meeting “Color and Food”  Stephen Westland

PAPERS

• The colours of food: final layer in the Palimpsest of Santa Caterina Market in Barcelona  Juan Serra, Salvador Gilabert, Jorge Llopis, Ana Torres, Ángela Garcia
• Basic and natural colours in a Munker White illusion – an art installation  Jodi L Sandford, Valter Gosti
• Analysis, conclusions and recommendations for colours applied in “5 a day” programme, Chile  Maria de la Paz Cox, Maria Rosa Domper 
• Food package chromatic design: A case study applying model Sens-Org-Int  Paula Csillag 

Reviews

• Book Review - Computational Colour Science using MATLAB (Second Edition)  Michael R Pointer

Volume 9 (2012)

PAPERS

• Periodic colour model  Vojko Pogacar
• Colour accuracy in digitally-printed textiles: what you see is not (always) what you get  Aileen Collis, Jacquie Wilson
• Ancient Egyptian colours as a contemporary fashion  Esmat Abd El-Mageed, Sahar Ahmed Ibra 
• Colour preferences for traditional Korean colours  Meong Jin Shin, Stephen Westland, Edel M Moore, Vien Cheung 

Reviews

• Yves Saint Laurent – dazzling colourist  Kevin Almond

Volume 8 (2012)

Special Issue of the VI conference of the Italian Colour Group

EDITORIAL

• VI conference of the Italian Colour Group  Alessandro Rizzi, Maurizio Rossi

PAPERS

• Colour stability and performance of vegetal dyes on natural fibres  Stefania Acquaviva, Emilia D'Anna, Maria Luisa De Giorgi, Andrea Della Patria, Marco Fantuzzi
• Quality of the light sources and colour constancy  Osvaldo Da Pos, Pietro Fiorentin, Alberto Maistrello, Elena Pedrotti, Alessandro Scroccaro
• Physics, colour and art: a fruitful marriage  Mady Elias
• Use of optical fibre in spectrometry and colorimetry with remote probes  Marco Gargano, Nicola Ludwig, Davide Pandini
• Colorimetry evaluation supporting the design of LED projectors for paintings lighting: a case study  Fulvio Musante, Maurizio Rossi 
• The evolution of colour in design from the 1950s to today  Francesca Valan 
• Notes on colours and pigments in the ancient world  Sergio Omarini 
• The “ID card” of ancient materials: spectral signature, colour and thermal analysis. A tool for the monitoring and conservation of the archaeological heritage  Franco Gugliermetti, Fabio Bisegna, Laura Monti
• Historical and scientific identification of an early XXth century artist pigments’ collection  Simona Rinald, Claudio Falcucci  

Volume 7 (2012)

NOTICES

• Obituary: Robert C Breer (1926-2011)  Roy Osborne
• Obituary: Rockne Krebs (1938-2011)  Roy Osborne
• Obituary: Tom Troscianko (1953-2011)  Tim Meese, David Tolhurst, Peter Thompson, Iain Gilchrist
• Obituary: John Gage (1938-2012)  Roy Osborne

GALLERIES

• Hiraeth: Designing a Welsh Identity  Chris Harris
• Hiraeth: Designing a Welsh Identity – narratives  Chris Harris

PAPERS

• Effect of red vs black clothing on the impression of persons engaged in a dialogue  Shin’ya Takahashi
• Computer aided three-dimensional colour planning and visualisation system for product design  Kuen-Meau Chen, Ming-Jen Wang
• Using soft systems methodology to improve the colour forecasting process  Tracy Diane Cassidy, Tom Cassidy
• Effect of wall colour on the perception of hairdressing salons  Kemal Yildirim, Aysen Capanoglu, Kubulay Cagatay, M Lutfi Hidayetoglu
• Conspicuity of chromatic light from LED spotlights  Markus Reisinger, Ingrid Vogels, Ingrid Heynderickx
• Choices for colour, light and line of women living in continuing care retirement communities in the USA  Melina Lyon, Shiretta Ownbey, Randall Russ

Volume 6 (2012)

PAPERS

• Contemporary art and colour thinking  Judith Mottram, Richard Davey
• Drawing light  Duncan Bullen
• Lost in translation: the nature of pigmented colour  Richard K Webb
• Art and colour: in pursuit of the intangible  John Lancaster
• Lying side by side: fitting colour to eros  Barbara M Stafford
• James Hugonin: variations on the theme of colour, similarity and difference  Richard Davey
• Colour and colourlessness: the chromatic discourse of impressionism  David Sweet
• Computational colour, the visual artist and the printed artefact  Stephen Hoskins

Volume 5 (2010)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

EDITORIAL

• AIC Colour Congress 2009 in Sydney, Australia  Nick Hardness

GALLERIES

• Colours of Aboriginal Australia: Winparrku (My Sacred Mountain)  Walangari Karntawarra
• Colours of Aboriginal Australia: Winparrku (My Sacred Mountain) – narratives  Walangari Karntawarra
• History of Japanese Colour: Traditional Natural Dyeing Methods  Sachio Yoshioka
• History of Japanese Colour: Traditional Natural Dyeing Methods – narratives  Sachio Yoshioka

REVIEWS

• A Brief Classification of Colour Illusions  Akiyoshi Kitaoka

PAPERS

• Preserving the Painted Image: The Art and Science of Conservation  Maria E Kubik
• Chromatic Harmony in Architecture and the Work of Artacho Jurado in São Paulo  João Carlos de Oliveira Cesar
• The Early History of White's Illusion  Michael White
• Why Are Animals Colourful? Sex and Violence, Seeing and Signals  Justin Marshall
• Glazed Tiles as an Improving Element for Environmental Quality in Urban Landscape  Carla Lobo, João Pernão
• A Colour Alphabet and the Limits of Colour Coding  Paul Green-Armytage
• How Colour Rhetoric is Used to Persuade: Chromatic Argumentation in Visual Statements  José Luis Caivano, Mabel Amanda López
• Colour as Pathway of Light: Searching the Shadow in Luis Barragán  Maria João Durão
• Shifting Interpretations of Interiors and Buildings: The Impact of Colour  Dianne Smith, Nur Demirbilek
• Measurement of Design Impact  John B Hutchings, M Ronnier Luo
• Using Cellarium Software as a Creative Tool  Linda Huber, Stefan Gottschalk
• Production and Anodic Colouring of Newly-Designed Titanium Jewels  Maria Vittoria Diamanti, Barbara Del Curto, Valeria Masconale, MariaPia Pedeferri
• Between Glare and Abysmal Dark: Toward a Conversation on Colour Appearance  Juliet Albany

Volume 4 (2009)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

GALLERIES

• Body, Numbers, Light: Colour Phenomena of Eye-Ocean  Anne-Sarah Le Meur

REVIEWS

• Vionnet – Without Bias (Les Arts Decoratifs, Musee de la Mode in Paris, France, 24 June 2009 to 31 January 2010)  Kevin Almond
• Basic Colour: A Practical Handbook  Richard Ashworth

PAPERS

• Effects of Coloured Lighting on Judgement of Emotional Expression  Shin'ya Takahashi
• Tectonics  Kevin Laycock
• Colours: Regulation and Ownership  Paul Green-Armytage
• Visual Impression of the Colour of Football Uniforms: Investigation using Moving and Static Images of Football Games  Masanori Iwase, Yutaka Nishida, Saori Kitaguchi, Tetsuya Sato, Li-Chen Ou, M Ronnier Luo

Volume 3 (2008)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

EDITORIAL

• CREATE: Developing a European Exchange in the Application of Colour  Carinna Parraman, Alessandro Rizzi

GALLERIES

• Colour in Flux: The Art and Science of Colour  Carinna Parraman
• Colour in Flux: The Art and Science of Colour – narratives  Carinna Parraman
• Air Grid: Five Houses  Victoria Watson
• Air Grid: Five Houses – narratives  Victoria Watson

PAPERS

• The Interaction of Art, Technology and Customers in Picture Making  John J McCann
• Image Reproduction: An Oxymoron?  Reiner Eschbach
• Reference-free Image Quality Evaluation for Digital Film Restoration  Majed Chambah
• Colour Normalisation and Spatial Comparison: A Robust Way to Integrate the Light Spectrum  Alessandro Rizzi
• Influence of Background on the Colour Appearance of Images  Alain Tremeau, Rafaël Nicolas, Eric Dinet
• Colour in Textiles: Colour and the Environment Since the 1990s  Maria Luisa Musso
• Tales of Tiles in Ottoman Empire  Simten Gündes, Melis Oktug, Deniz Özd

Volume 2 (2008)

Published as Colour: Design and Creativity by The Society of Dyers and Colourists (UK)

REVIEWS

• The Golden Age of Couture (Victoria and Albert Museum, London, 22 September 2007 to 6 January 2008)  Kevin Almond
• Daylight Influence on Colour Design: Empirical Study on Perceived Colour and Colour Experience Indoors  Vien Cheung

GALLERIES

• Essential Spirit  William Packer
• Essential Spirit – narratives  William Packer
• Colouring Jouissance  Jenny Tennant Jackson
• Colouring Jouissance – narratives  Jenny Tennant Jackson

PAPERS

• Forming Spaces with Colour and Light: Trends in Architectural Practice and Swedish Colour Research  Karin Fridell Anter
• Colour as Idea: The Conceptual Basis for Using Colour in Architecture and Urban Design  Galen Minah
• Computer Classroom Wall Colour Preference and the Relationship with Personality Type of College Students  Hong Wang, Randall R Russ
• The Influence of Single-colour Preference and Area Ratio on Dichromatic Colour Preference  Kuen-Meau Chen, Ming-Jen Wang